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VistaVision, a vintage format left for dead, is revived in 'One Battle After Another' and more
When Paul Thomas Anderson told his cinematographer Michael Bauman that he wanted to shoot "One Battle After Another" on ...
Add Yahoo as a preferred source to see more of our stories on Google. Kerk. The camera had jammed, again. Michael Bauman wasn’t surprised. As the director of photography for “One Battle After Another, ...
NEW YORK(AP) — When Paul Thomas Anderson told his cinematographer Michael Bauman that he wanted to shoot “One Battle After Another” on VistaVision — a large-scale film format born in the 1950s — he ...
This image released by Warner Bros. Pictures shows camera/steadicam operator Colin Anderson filming a scene from "One Battle After Another." (Michael Bauman/Warner Bros. Pictures via AP) This image ...
NEW YORK (AP) — When Paul Thomas Anderson told his cinematographer Michael Bauman that he wanted to shoot “One Battle After Another” on VistaVision — a large-scale film format born in the 1950s — he ...
For much of the past 60 years, the few remaining VistaVision cameras have been mostly collecting dust on shelves. Though the format was widely used in the 1950s, when Alfred Hitchcock shot “Vertigo” ...
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